Fiction -- Technique
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The concept Fiction -- Technique represents the subject, aboutness, idea or notion of resources found in Bowdoin College Library.
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Fiction -- Technique
Resource Information
The concept Fiction -- Technique represents the subject, aboutness, idea or notion of resources found in Bowdoin College Library.
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- Fiction -- Technique
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- https://id.loc.gov/authorities/subjects/sh85048065
169 Items that share the Concept Fiction -- Technique
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- "An artist is his own fault" : John O'Hara on writers and writing
- A certain measure; : an interpretation of prose fiction
- A metaphorics of fiction : discontinuity and discourse in the modern novel
- A theory of narrative
- Adventure, mystery, and romance : formula stories as art and popular culture
- Afterwords; : novelists on their novels
- Anaïs Nin and the remaking of self : gender, modernism, and narrative identity
- Ancient fiction : the novel in the Greek and Roman world
- Beyond the metafictional mode : directions in the modern Spanish novel
- Carrefours de signes : essais sur le roman moderne
- Comment Émile Zola composait ses romans. : D'après ses notes personnelles et inédites
- Craft in the real world : rethinking fiction writing and workshopping
- Critical writings.
- Critiques and essays on modern fiction, 1920-1951, representing the achievement of modern American and British critics
- Crébillon fils, techniques of the novel
- Der Weg zur Form : ästhetische Abhandlungen, vornehmlich zur Tragödie und Novelle
- Detecting detection : international perspectives on the uses of a plot
- Dialogue : the art of verbal action for page, stage, screen
- Dickens's fiction : tapestries of conscience
- Die Entstehung eines Romans : ein Zwischenbericht
- Die Kunst der Erzählung
- Du roman grec au roman baroque : un art majeur du genre narratif en France sous Louis XIII
- Edgar Allan Poe : a study of the short fiction
- Edith Wharton : art and allusion
- Edith Wharton and the art of fiction
- Eighteenth century French novelists and the novel
- El Oficio de narrar
- Eloquent reticence : withholding information in fictional narrative
- Empty revelations : an essay on talk about, and attitudes toward fiction
- Enacting history in Henry James : narrative, power, and ethics
- Estructuras de la novela actual
- Existential thought and fictional technique: Kierkegaard, Sartre, Beckett
- Exquisite masochism : marriage, sex, and the novel form
- Factual fictions : the origins of the English novel
- False positions : the representational logics of Henry James's fiction
- Faulkner the storyteller
- Faulkner's questioning narratives : fiction of his major phase, 1929-42
- Ficción y géneros literarios : los géneros literarios y los fundamentos referenciales de la obra
- Fiction and repetition : seven English novels
- Fiction in the archives : pardon tales and their tellers in sixteenth-century France
- Fiction, semblance et crédibilité : incursion dans deux univers de Marguerite Yourcenar
- Fictional techniques and factual works
- Fictions to live in : narration as an argument for fiction in Salman Rushdie's novels
- Finance and fictionality in the early eighteenth century : accounting for Defoe
- Form and meaning in fiction
- Forms of modern fiction; : essays collected in honor of Joseph Warren Beach
- Framing pieces : designs of the gloss in Joyce, Woolf, and Pound
- From sketch to novel : the development of Victorian fiction
- Genèses du roman contemporain : incipit et entrée en écriture
- Gerald Vizenor : writing in oral tradition
- Gothic returns in Collins, Dickens, Zola, and Hitchcock
- Great writers on the art of fiction : from Mark Twain to Joyce Carol Oates
- Gustav Freytags Romantechnik
- Henry James and H.G. Wells; : a record of their friendship, their debate on the art of fiction, and their quarrel.
- Henry James and H.G. Wells; : a record of their friendship, their debate on the art of fiction, and their quarrel.
- How fiction works
- How novels work
- Jack London : a study of the short fiction
- Jane Austen and narrative authority
- Jane Austen's narrative techniques : a stylistic and pragmatic analysis
- John Fowles's fiction and the poetics of postmodernism
- Joyce, Joyceans, and the rhetoric of citation
- L'art de raconter
- La clôture narrative
- La communication non-verbale chez Maupassant
- La cure d'amaigrissement du roman
- La métaphore raconte : pratique de Julien Gracq
- La novela española de metaficción
- Le Récit
- Le centre et la circonférence : essai sur l'objet dans la nouvelle classique
- Le nouveau roman
- Le récit spéculaire : essai sur la mise en abyme
- Linguistics and the novel
- Man's changing mask; modes and methods of characterization in fiction
- Margery Kempe's dissenting fictions
- Metamorphosis of language in Apuleius : a study of allusion in the novel
- Music in the Georgian novel
- Narcissistic narrative : the metafictional paradox
- Narrative and its discontents : problems of closure in the traditional novel
- Narrative impact : social and cognitive foundations
- Narrative innovation and incoherence : ideology in Defoe, Goldsmith, Austen, Eliot, and Hemingway
- Narrative remembering
- New testaments : cognition, closure, and the figural logic of the sequel, 1660-1740
- Novel-in-the-making
- Pattern and chaos : multilinear novels by Dos Passos, Döblin, Faulkner, and Koeppen
- Petronius and the anatomy of fiction
- Poderes secretos
- Possible worlds, artificial intelligence, and narrative theory
- Prefaces to fiction: : Georges de Scudéry, Preface to Ibrahim (1674) Mary De la Riviere Manley, Preface to The secret history of Queen Zarah (1705) Jean-Baptiste de Boyer, marquis d'Argens, The Jewish spy (1744), letter 35. William Warburton, Preface to volumes III and IV (1748) of Richardson's Clarissa. Samuel Derrick, Preface to d'Argens's Memoirs of the Count Du Beauval (1754)
- Primer of the novel
- Problèmes du nouveau roman
- Proust and Musil : the novel as research instrument
- Proust, Musil, partage d'écritures
- Re-forming the narrative : toward a mechanics of modernist fiction
- Reading (absent) character : towards a theory of characterization in fiction
- Reading fiction : opening the text
- Reading for the plot : design and intention in narrative
- Reading frames in modern fiction
- Reading the nineteenth-century novel : Austen to Eliot
- Representation in contemporary French fiction
- Rhétorique et stylistique de la fiction
- Sei passeggiate nei boschi narrativi
- Self-imitation in the eighteenth-century novel
- Six walks in the fictional woods
- Social minds in the novel
- Some observations on the art of narrative
- Story and situation : narrative seduction and the power of fiction
- Stream of consciousness in the modern novel
- Studies in the narrative technique of the first-person novel
- Suture and narrative : deep intersubjectivity in fiction and film
- Sympathetic realism in nineteenth-century British fiction
- Technique in fiction
- Techniques of novel writing
- Teoría y crítica de la metaficción en la novela española contemporánea : a propósito de Alvaro Cunqueiro y Gonzalo Torrente Ballester
- Testaments betrayed : an essay in nine parts
- Thackeray and the form of fiction
- The Cambridge introduction to narrative
- The Stowe debate : rhetorical strategies in Uncle Tom's cabin
- The Victorian multiplot novel : studies in dialogical form
- The anatomy of the novel
- The apprentice writer
- The art of fiction : illustrated from classic and modern texts
- The art of fiction : notes on craft for young writers
- The art of the novel
- The beautiful, novel, and strange : aesthetics and heterodoxy
- The deceptive text : an introduction to covert plots
- The design of
- The experimental self : dialogic subjectivity in Woolf, Pym, and Brooke-Rose
- The formal principle in the novel
- The imposition of form : studies in narrative representation and knowledge
- The literary criticism of Henry James
- The literature of fact : literary nonfiction in American writing
- The mirror in the text
- The narrative act : point of view in prose fiction
- The novel : language and narrative from Cervantes to Calvino
- The novel art : elevations of American fiction after Henry James
- The novel-machine : the theory and fiction of Anthony Trollope
- The novels of George Eliot; : a study in form
- The only teller : readings in the monologue novel
- The poetics of biblical narrative
- The prefaces of Henry James : framing the modern reader
- The realities of fiction, a book about writing
- The reflexive novel : fiction as critique
- The return of the omniscient narrator authorship and authority in twenty-first century fiction
- The rhetoric of fictionality : narrative theory and the idea of fiction
- The self-conscious novel : artifice in fiction from Joyce to Pynchon
- The story begins : essays on literature
- The story-shaped world : fiction and metaphysics : some variations on a theme
- The supporting cast : a study of flat and minor characters
- The technique of the novel
- The theory of characterization in prose fiction prior to 1740
- The true story of the novel
- The value of style in fiction
- The weaver-god, he weaves : Melville and the poetics of the novel
- The whole story : editors on fiction : a collection of essays and stories
- The world we imagine; : selected essays
- The writing of fiction
- Theorizing Lawrence : nine meditations on tropological themes
- Theory and the novel : narrative reflexivity in the British tradition
- Theory of the novel : a historical approach
- Thomas Hardy, time and narrative : a narratological approach to his novels
- Three genres: the writing of fiction, poetry, and drama
- Traité du style
- Truth and metafiction : plasticity and renewal in American narrative
- Unspeakable sentences : narration and representation in the language of fiction
- Victims, textual strategies in recent American fiction
- Victorian criticism of the novel
- Why fiction?
- Writing a novel
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